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Berloff Takes a Ride with 'Cocaine Cowboy'

Posted by Shaun Burke on Mar 25, 2011
Source: THR

Paramount had to look no further than Magnolia Pictures for their latest project – an adaptation of Billy Corben’s documentary Cocaine Cowboys. Optioned awhile back with names like Mark Wahlberg and Peter Berg attached, it is now World Trade Center writer Andrea Berloff who'll take over script duties from Generation Kill writer Evan Wright, whose book on the subject, American Desperado: My Life — From Mafia Soldier to Cocaine Cowboy to Secret Government Asset, will be published in November.

Gist: Cocaine Cowboys is the true story of Jon Roberts, a wounded Vietnam vet who went on to be a cocaine kingpin in Miami in the 1970′s before becoming a government prisoner. Corben’s documentary version chronicled the rise of cocaine and resulting crime epidemic that swept through Miami in the 1970’s and 80’s.

Worth Noting: Berloff’s stock is definitely on the rise as her name is currently attached to a few high profile projects – most notably the NWA biopic Straight Outta Compton, Will Smith’s vampire project The Legend of Cain, and ABC’s TV movie version of Romeo & Juliet, which currently has Catherine Hardwicke directing.

Do We Care?: This film could be a nice east coast companion piece to Nick Cassavetes’ “Freeway” Rick Ross biopic, which similarly chronicles the rise of cocaine in America. As for Berloff, her time spent working with (Scarface writer) Oliver Stone from World Trade Center should adequately provide her with some general knowledge of ambitious projects and cocaine culture.



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Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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