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Interview: Borderline Films' Josh Mond, Antonio Campos and Sean Durkin

Posted by Eric Lavallee on Oct 21, 2011
Source: IONCINEMA.com

[Editor's note: This interview was orginally published during the 2011 Sundance Film Festival.]

If the names aren't familiar, their films are...and will be. After film festival accolades for Afterschool (2008), Two Gates of Sleep (2010) and with the Campos' sophomore film Simon Killer in post and poised for another huge film festival premiere, it is the revelation at this year's Sundance Film Festival and association with Indie vet producer Ted Hope on the uniquely titled Martha Marcy May Marlene that has turned the spotlight inwards on a trio of film school friends who've united, branded and excelled in bringing about an evocative and refreshing new works on the American independent film scene. Borderline Films is Josh Mond, Sean Durkin and Antonio Campos. Here is our interview with them conducted by Sean Glass. Picture above taken from (www.drewinnis.com) one of their many strong collaborators in photographer/cinematographer Drew Innis. 



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Reviews

Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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Review: Wrong

"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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