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Key Players in the 2011 Cannes Market: Rezo

Posted by Eric Lavallee on May 31, 2011
Source: IONCINEMA.com Feature

The French Sales Agent, Theatrical Distribution and Production company based out of Paris comes to the fest with a pair of items (Cristian Jimenez's Bonsai and Liza Johnson's Return) but Rezo also got a pair of must sees in Julie Delpy's 2 Days in New York (which we could technically find at TIFF and will once again back a Stéphane Brize project -- his A Few Hours of Spring is currently in pre-production.

KHODORKOVSKY by Cyril TUSCHI - Completed
LE TABLEAU by Jean-François LAGUIONIE - Post-Production
RESISTANCE by Amit GUPTA - Post-Production
RETURN by Liza JOHNSON - Completed
2 DAYS IN NEW YORK by Julie DELPY - Post-Production
A FEW HOURS OF SPRING by Stéphane BRIZÉ - Pre-Production
BONSÁI by Cristian JIMENEZ - Completed
MAGIC VALLEY by Jaffe ZINN - Completed
NEON FLESH (CARNE DE NEON) by Paco CABEZAS - Completed
PREY (PROIE) by Antoine BLOSSIER - Completed
AMIGO by John SAYLES - Completed
HEARTBEATS (LES AMOURS IMAGINAIRES) by Xavier DOLAN - Completed
I KILLED MY MOTHER (J'AI TUE MA MERE) by Xavier DOLAN - Completed
MADEMOISELLE CHAMBON by Stéphane BRIZÉ - Completed
PICCO by Philip KOCH - Completed
THE GAME OF DEATH (LE JEU DE LA MORT) by Thomas BORNOT - Completed



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Reviews

Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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Review: Wrong

"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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