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Sundance Selects Dig Moretti's 'We Have a Hope'

Posted by Eric Lavallee on Jul 26, 2011
Source: THR

It's double announcement day for Nanni Moretti’s Habemus Papam. This morning it was among the first batch of North American premiere titles announced for this year's TIFF and in the afternoon, the church bells chimed once again, as Sundance Selects announced their pick-up of the comedy with a pinch of drama.

Gist : Written by Moretti with Francesco Piccolo and Federica Pontremoli, this is about a Pope (Michel Piccoli) who decides he doesn’t want the job as soon as he’s elected. Moretti will play a psychiatrist called in by the Vatican to resolve the problem.

Worth Noting: From wiki: Piccoli has worked with Jean Renoir, Jean-Pierre Melville, Jean-Luc Godard, Claude Lelouch, Jacques Demy, Claude Sautet, Louis Malle, Agnès Varda, Leos Carax, Luis Buñuel, Costa-Gavras, Alfred Hitchcock, Marco Ferreri, Jacques Rivette, Otar Iosseliani and Jacques Doillon.

Do We Care?: Moretti who is best known for taking jabs within and outside of his films, went soft with this hypothetical template of a Pontiff who goes rogue. We didn't care for acts I, II or III, or for Moretti's severely underwritten character of a psychoanalyst/volleyball enthusiast. Sticking to in volleyball lingo, this one is a definite pass.



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Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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