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Denis Côté Sugar Shacks Up with Marc-André Grondin and Valerie Donzelli

Posted by Eric Lavallee on Sep 28, 2011
Source: La Maison de Prod.

Life as a filmmaker might have became a hell of a lot easier for Denis Côté especially when the French-Canadian auteur broke into a more "user-friendly" cinema with his Locarno winning Curling (Best Director). With more "flexibility", his 6th film titled Vic et Flo ont vu un ours (English translation Vic and Flo Saw a Bear) is set to go into production for next summer (means we shouldn't be seeing the final product until 2013) and he'll get to employ some bigger name talent. Actress/filmmaker Valérie Donzelli (whose La Guerre est déclarée is France's Oscar bet this year) and Marc-André Grondin whose had a healthy career so far in both Quebec and France since his breakout role in C.R.A.Z.Y. have signed on.

Gist: Victoria Champagne (Pierrette Robitaille) is released from prison. Installed in a sugar shack in the woods, every week she must report her actions to parole officer (Marc-André Grondin). Florence Richemont (Valerie Donzelli), the cell partner cell is later released and joins Victoria in the woods. A strange dynamic between them begins.

Worth Noting: Côté previously worked with Grondin on the 43min medium-short film Les lignes ennemies (2010).

Do We Care?: Former Directors' Fortnight and current Locarno Film Fest director Olivier Père isn't the only one interested in this director's career -- Côté's unique tone, character descriptions and chosen locations for his texts posit cinephiles like myself into a yielding submission.



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Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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Review: Wrong

"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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