The main competition’s most bizarre inclusion was not so surprisingly slotted at the very end of the fest. Two years after premiering The Housemaid, Im Sang-soo’s 7th feature titled The Taste of Money is the sections’ B-movie entry – many wonder why this colossal waste of celluloid wasn’t placed somewhere else in festival our critic’s panned the film, giving the film an average of one star out of five. Click to enlarge!
About the author: Eric Lavallee View all posts by Eric Lavallee
Eric Lavallée is the founder, editor-in-chief and film critic at IONCINEMA.com (founded in 2000). Eric splits his time between his home base in Montreal, NYC, and is a regular at Sundance, Cannes and TIFF. He has a BFA in Film Studies at the Mel Hoppenheim School of Cinema. In 2013 he served as a Narrative Competition Jury Member at the SXSW Film Festival. Top Films From Contemporary Film Auteurs:
Almodóvar (Talk to Her), Coen Bros. (Fargo), Dardennes (La Promesse), Haneke (Caché), Hsiao-Hsien (Three Times), Kar-wai (In the Mood for Love), Kiarostami (Taste of Cherry), Lynch (Mulholland Dr.), Tarantino (Pulp Fiction), Van Sant (My Own Private Idaho), von Trier (Breaking the Waves)