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2011 Cannes Critics’ Panel: Day 2 – Lynne Ramsay’s We Need to Talk About Kevin

Our critics might have been seeing red, but that’s because Lynn Ramsay third film is heavy on the blood colored motif. Stylistically and visually ambitious, this interpretation of the award winning novel on which the film is in parts based on, is drawing support from the home crowd, but its Tilda Swinton layered character and jarring performance that will give this film wings well into the second week of the Main Competition. Click on the grid below to see how our panel voted.

Eric Lavallée

Published on May 13, 2011

Our critics might have been seeing red, but that’s because Lynn Ramsay’s third film is heavy on the blood colored motif. Stylistically and visually ambitious, this interpretation of the award winning novel on which the film is in parts based on, is drawing support from the home crowd, but its Tilda Swinton layered character and jarring performance that will give We Need to Talk About Kevin wings well into the second week of the Main Competition. Click on the grid below to see how our panel voted.

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Eric Lavallée

Eric Lavallée is the founder, CEO, editor-in-chief, film journalist and critic at IONCINEMA.com (founded in 2000). Eric is a regular at Sundance, Cannes and TIFF. He has a BFA in Film Studies at the Mel Hoppenheim School of Cinema. In 2013 he served as a Narrative Competition Jury Member at the SXSW Film Festival. He was an associate producer on Mark Jackson's This Teacher (2018 LA Film Festival, 2018 BFI London). In 2022 he served as a New Flesh Comp for Best First Feature at the 2022 Fantasia Intl. Film Festival. Current top films for 2022 include Tár (Todd Field), All That Breathes (Shaunak Sen), Aftersun (Charlotte Wells).