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Review: Alois Nebel

“sure to draw comparisons to Ari Folman’s 2008 Waltz With Bashir for its style, but in fact it feels more like a nightmarish noir, one from which the present is most certainly imprisoned and informed by the past, and one most certainly evoking classic Czech films, a la Jiri Menzel.”

Alois Nebel


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“…sure to draw comparisons to Ari Folman’s 2008 Waltz With Bashir for its style, but in fact it feels more like a nightmarish noir, one from which the present is most certainly imprisoned and informed by the past, and one most certainly evoking classic Czech films, a la Jiri Menzel.”

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Los Angeles based Nicholas Bell is IONCINEMA.com's Chief Film Critic and covers film festivals such as Sundance, Berlin, Cannes and TIFF. He is part of the critic groups on Rotten Tomatoes, The Los Angeles Film Critics Association (LAFCA), the Online Film Critics Society (OFCS) and GALECA. His top 3 for 2021: France (Bruno Dumont), Passing (Rebecca Hall) and Nightmare Alley (Guillermo Del Toro). He was a jury member at the 2019 Cleveland International Film Festival.

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