Monthly Archives: April, 2012

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Keyhole | Review

Guy Maddin Goes Talkie with Gangsters, Ghosts, and Glory Holes Galore The expressionist Winnipegger's new film Keyhole is just as singular as it is familiar,...

FILMART 2012 Highlights Include: Motorway, The Bullet Vanishes and Love In the Buff

With the 36th Hong Kong International Film Festival coming to  a close, there was another event important that took place this year - the...

Criterion Collection: The War Room | Blu-ray review

While most people remember the legendary directing duo that brought forth Monterey Pop, Don't Look Back, and a whole host of other classic music...

General Orders No. 9 | Blu-ray review

Once in a great while a film will find its way under your ribcage, and bare its weight down from within. Robert Persons' hypnotic...

2012 Cannes Predictions: 3 Possibilities from Israel

In recent years, Israeli cinema has been having an affair with the biggest film festivals in the world, and in particular, the Cannes Film...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

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