Monthly Archives: April, 2012

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Inside Hana’s Suitcase | Review

Personalized Accounts From Within Auschwitz and Around The World There certainly is no shortage of Holocaust docs. Not to say they aren't completely warranted, but...

Whore’s Glory | Review

Sugartime: Michael Glawogger Brings Us a Bleak Look at Third World Brothel Workers If Michael Glawogger’s Whores’ Glory, the third installment in his trilogy of...

Post Mortem | Review

Death Politics: Pablo Larrain’s Pathologist Nightmare Vision Proving himself to be one of the most sardonic voices currently working in cinema, Chilean auteur Pablo Larrain...

55th San Franciso Int. Film Fest: Farewell, My Queen and Farewell to Festival Stalwarts

The 55th edition of the San Francisco International Film Festival opens today, April 19th with the French period drama "Farewell, My Queen" by Benoît...

Images in Pictures: First Batch from Carlos Reygadas’ Post Tenebras Lux

Of all the announcements made today, Carlos Reygadas' Post Tenebras Lux is, going in, the film event of this year's Cannes Film Festival. Feast...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

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