Monthly Archives: May, 2012

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Cannes 2012: Room 237 | Review

Cinema 3.0 is in Full Bloom, and it's Turned some of us into OCD Madmen Stanley Kubrick's The Shining is firmly canonized as horror film...

Cannes Critics’ Panel Day 9: Carlos Reygadas’ Post Tenebras Lux

In his short, and fruitful history with the Cannes Film Festival, Carlos Reygadas has managed with just three films manage to tease, antagonize and...

Cannes Critics’ Panel Day 9: Lee Daniels’ The Paperboy

By fests' end, we can pretty much claim that Lee Daniels' second trip to Cannes was indeed an eventful one, except for all the...

Cannes Critics’ Panel Day 8: Walter Salles’ On the Road

It took three decades to bring the seminal book to the big screen, and finally, the road trip tome from Jack Kerouac received a...

Interview: Joachim Trier (Oslo, 31. august)

A stylistic departure from his breakout, international debut Reprise, Joachim Trier's Oslo, August 31st is a mature, sophomore effort that is knee deep in...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

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