Monthly Archives: May, 2012

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Cannes 2012: Like Someone in Love | Review

Kiarostami Baffles and Electrifies with his own Brand of Tokyo Story Having morphed into a predictably unpredictable filmmaker so far in the 21st century, the...

Cannes Critics’ Panel Day 6: Abbas Kiarostami’s Like Someone in Love

A second straight film outside his native Iran, Kiarostami's set in Japan tale known as Like Someone in Love will not be receiving the...

Cannes Critics’ Panel Day 6: Alain Resnais’ Vous n’avez encore rien vu

Prior to the fest announcing the line-up, there was talk that the 90 year-old Alain Resnais' latest would be receiving an April domestic release...

Inside Cannes 2012 Day 6: Michel Franco’s After Lucia (Despues de Lucia)

One of the major new discoveries in the Directors' Fortnight section back in 2009 for Daniel & Ana, Michel Franco's second visit to the...

Inside Cannes 2012 Day 6: Rodney Ascher’s Room 237 Cannes 2012

When you cover a film festival either solo or as a team, you manage to always have a title that "got away", which happened...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

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