Monthly Archives: August, 2012

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Teddy Bear | Review

You’ll Like My Mother: Matthiesen’s Debut a Gentle Giant Director Mads Matthiesen developed his 2007 short film Dennis into his feature debut, Teddy Bear, a...

Interview: Ron Nyswaner, Phil Dorling and Melissa Leo (Why Stop Now)

Originally titled Predisposed after the short it was based on, Why Stop Now made a splash at this years Sundance where it caught the...

Side By Side | Review

Film vs. digital doc obscures message with overt Hollywood deference From the opening Oscar broadcast-style montage of iconic movie clips (apparently it is only Hollywood,...

Cosmopolis | Review

Consuming Dystopia: Cronenberg’s Latest a Morose Microcosm of Greedy Consumption David Cronenberg returns to a familiar formula, that of creating a uniquely original film from...

TIFF 2012: The New Wavelengths Section Includes: Tsangari, Carlos Reygadas, Wang Bing and Blake Williams

By merging the former Visions into the Wavelengths section, Cameron Bailey has essentially made a new incontournable programme. Headed by Andréa Picard, the section...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

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