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Foreign Film News
Be All You Can Be: Samuel Maoz’s Closing Out Trilogy with “It’s Good to Die For Your Country”
March 25, 2023We’re getting close to that eight-year mark between features and we’ve just learned that Samuel Maoz...
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Reviews
Tori et Lokita | Review
March 24, 2023Suffer the Children: The Dardenne Bros. Trend of Neorealism Continues in Dismal Portrait of Migrant Children...
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Film Festivals
2023 Cannes Film Festival Predictions – Un Certain Regard
March 23, 2023Last year’s Un Certain Regard was a vintage year. A trio of films in Return to...
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Reviews
Petite Solange | Review
March 23, 2023Bonjour Tristesse: Ropert Explores Rude Awakenings in Tender Coming-of-Age Portrait “What am I doing in this...
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Film Festivals
2023 Cannes Film Festival Predictions – Directors’ Fortnight
March 22, 2023The Director’s Fortnight didn’t simply give itself a new coat of paint but rather a heart...
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American Indie Films News
Minding the Crap: Bing Liu Preps Fiction Debut “Preparation for the Next Life”
March 21, 2023He has been testing the waters for some time now in terms of fiction (with Chinks...
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Film Festivals
2023 Cannes Film Festival Predictions – Critics’ Week
March 21, 2023In a decade from now, we might be looking at all the offerings at last year’s...
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Reviews
Les Cinq diables (The Five Devils) | Review
March 21, 2023Devil May Care: Mysius Delivers Intriguing but Disappointing Romantic Genre Mishmash For her sophomore feature debut,...
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Foreign Film News
The Exiles: Ilker Çatak Travels to Turkish Backdrop for New Project “Yellow Letters”
March 20, 2023Striking while the iron is hot, multi Berlinale prize-winning filmmaker Ilker Çatak will be moving on...
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Reviews
Rimini | Review
March 16, 2023Bravo New World: Seidl Returns with Desolate Portrait of Fallen Hustler There’s always a healthy thread...