Final batch of TIFF titles were announced today and among the international hodgepodge of items trickling we find Berlin (Golden Bear winner Child's Pose),...
Looking back on the year of Israeli cinema we first notice that there weren't any standouts such as Waltz with Bashir or Beaufort, meaning none of the films unveiled were exceptional in quality, however Israeli cinema did produce several strong and moving dramas, while the industry choose this year to test out the viability of new genre films.
I was wondering why Peter Mullan's Neds wasn't included in Venice. I was wondering why the Midnight Madness section didn't name Koen Mortier's latest. I was wondering why Cannes regular Bent Hamer wasn't in Cannes. TIFF's CWC section has all three high profile items, plus Venice Film Festival's Meek's Cutoff (Kelly Reichard) and Three (Tom Tykwer). Reichard will participate in Kelly Reichardt in a Mavericks discussion about the behind the scenes of her process.
The nominations for the Israeli Film Academy awards (The Ophirs) were announced this week and as expected, Nir Bergman's "Intimate Grammar" is at the top of the leader board with 12 nominations, but there are a few more surprises worth noting.
Hands down, Ivgy's And on the Third Day is the best Israeli film of 2010. With several connecting stories of men being cruel towards women (physically, sexually, and psychologically), with a concluding apocalypse, this is a Magnolia-type picture minus the frogs.