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2018 New Horizons Intl. Film Fest Unveil Programme! – Open with Labaki’s “Capharnaum” & Close with Rohrwacher’s “Happy As Lazzaro”

Now legal drinking age status, the New Horizons International Film Festival turns 18 this year and they'll be chock-full of offerings from the recent...

Son of Joseph | Review

Father Figure: Eugene Green’s Amusing Nature vs. Nurture Satire of the Holy Family With his sixth feature film, Son of Joseph, New York born French-language...

2016 Berlin Intl. Film Festival: Nicholas Bell’s Top 5 Most Anticipated Films

Returning with another diverse, auteur heavy line-up with their 66th edition, the Berlin International Film Festival continues to impress just as much with selections...

La Sapienza | Review #2

Spaces Between: Green’s Controlled, Heavily Stylized Metaphor Eugène Green is an American born filmmaker who has been steadily making foreign films over the past decade...

La Sapienza | Review #1

Style-Over-Substance in a Fancy Baroque Package French “artiste” Eugène Green’s latest work is further evidence that his overriding career trajectory of indulgent reminiscence, has a deliberately...

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2025 Cannes Critics’ Panel: Day 10 – Saeed Roustayi’s ‘Woman and Child’

Iranian filmmaker Saeed Roustaee (also spelled Saeed Roustayi -...

Resurrection | 2025 Cannes Film Festival Review

In Dreams: Gan Explores a Century of the Cinematic...

Woman and Child | 2025 Cannes Film Festival Review

All the Regime Allows: Roustaee Finds a Woman Scorned If...

Caravan | 2025 Cannes Film Festival Review

All About My Martyr: Kirchnerová’s Debut Finds the Journey...

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