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Top 5: Best in Spanish Cinema in 2010

While Alejandro González Iñárritu's drama's only saving grace might be Javier Bardem´s acting, the rest of the film suffers from a jaded structure that seems only the skilled hands of Guillermo Arriaga could have made effective and the same goes for Álex de la Iglesia's film where majestic sequences are overtly ridiculous at times, I saw it as a bad mismatch blending of the genres.

Venice Horizons: Jose Luis Guerin, Paul Morrissey and Sion Sono

Deemed as re-branding of the section, a more eclectic melange of titles mixing short, medium length pics, documentaries film and feature length items, of the items that will generate the most interest are the opening and closing titles which were revealed the week before, but we should see media coverage mentions on Paul Morrissey's News From Nowhere, Jose Luis Guerin's docu Guest (I've yet to see 2007/2008's In the City of Sylvia) and Sion Sono's Cold Fish and short film offerings from Guillermo Arriaga, Isaac Julien and Clara Law.

2011 Oscar Predictions: Best Original Screenplay

Before I get into my prediction picks and second best choices for Best Original Screenplay, here are some titles that are worth mentioning and that I think are on the outsides looking in. Alejandro Gonzalez Inarritu's Biutiful (how will he do without Guillermo Arriaga as his wingman?), Mark Heyman and Darren Aronofsky's Black Swan (I think the Academy will find the title too risque)...

2010 Sundance Day 3: Debra Granik’s Winter’s Bone

Responsible for putting Farmiga on the map, Granik's ode to Missouri's backwood might just do the same for Jennifer Lawrence - I've identified the actress as someone to watch out for after seeing her in her breakout role from Guillermo Arriaga's The Burning Plain.

Top 100 Most Anticipated Films of 2010: Alejandro Gonzalez Inarritu’s Biutiful

There are big question marks as to how Inarritu will do in his post-Guillermo Arriaga portion of his career. I imagine that we'll have less intricate plots (no mapped out threaded connections between characters and grand themes explored through various POVs), but Inarritu's true calling card is human drama and those emotionally charged sequences that rotate between despair and relief.

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