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Top 150 Most Anticipated Foreign Films of 2020: #20. Untitled Hong Sang-soo Project

Untitled Hong Sang-soo Project Having spent 2019 embroiled in widely publicized divorce court proceedings, 2019 came and went without a new film project from South...

2018 PYIFF Dailies: Unhurried Hong Sang-Soo & Lee Chang-Dong | Day 5

I managed to miss the TIFF screening for Locarno premiered Hotel by the River (our Nicholas Bell has been on a steady pace of covering...

Tuesday Blus: In Yet Another Country with Hong Sang-soo

Kicking off one of South Korean auteur Hong Sang-soo’s most prolific years to date, his masterful On the Beach at Night Alone premiered in...

2017 Cannes Critics’ Panel Day 9: Hong Sang-soo’s The Day After Contains Color

I've been running behind with our grid, now in the clear and past the half way mark here is the latest updates from the...

Top 100 Most Anticipated Foreign Films of 2017: #25. Hong Sang-soo’s Claire’s Camera

Claire's Camera Director: Hong Sangsoo Writer: Hong Sangsoo Usually there's little news about a new Hong Sangsoo title until it shows up in a film festival program....

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Interview: Marine Atlan – La Gravida | 2026 Cannes Film Festival

This year, the Critics' Week gifted us a feature...

Interview: Abinash Bikram Shah – Elephants in the Fog | 2026 Cannes Film Festival

Making his second splash in Cannes after seeing his...

Interview: Rakan Mayasi – Yesterday the Eye Didn’t Sleep | 2026 Cannes Film Festival

Set within a tightly knit Bedouin community in Lebanon,...

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