Search results for: Juan Jose Campanella

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The Weasels’ Tale [Video Review]

Pop Goes the Remake: Campanella Returns with Ghoulish Remake of Black Comedy In the 2000s, the New Argentine Cinema gained international prominence thanks to a...

The Conversation: 2019 Cannes Film Festival Predictions

For several reasons, the 71st edition of the Cannes Film Festival was something of a slight progression, if at least for the number of...

The Conversation: Bring Forth Berlin (Possible Contenders for the Competition)

As has been the Berlinale’s custom of years past, several early competition titles have been confirmed along with the 2019 opener, Lone Scherfig’s The...

Secret in Their Eyes | Review

The Eyes Have It: Ray’s Unnecessary Remakes Pales Next to Source Thanks to mainstream America’s huffy dismissal of subtitles when it comes to cinema, we...

The Orchard Had a Little…: Partridge’s “Lamb” to Receive 2016 Release

The Orchard are still adding to their SXSW shopping cart as IndieWIRE reports that the distributor has landed the North American, UK and Australian...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...

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