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2025 Cannes Film Festival Predictions – Un Certain Regard

Last year, the Un Certain Regard section had several gems. Caméra d'Or jury prized Halfdan Ullmann Tøndel's Armand and the UCR jury of Xavier...

Transamazonia | 2024 Locarno Film Festival Review

Smite Material: Marais Unearths Jungle Cliches It’s been over a decade since South African director Pia Marais’ last feature, and she’s spent six years working...

2024 New Directors/New Films: Gábor Reisz, Selman Nacar, Laura Ferrés, Aaron Schimberg & India Donaldson In Line-Up

We've got films dating back to the last edition of Cannes, threaded in there are items from Locarno, Venice and more recent items from...

2024 Sundance: A Different Man, The Outrun, Winner & Sasquatch Sunset Among Premieres

Sundance Film Festival's Premiere section (a mix of fiction and docs) will have some biggie titles to contend with the likes of Aaron Schimberg's...

2023 TIFF: Ryusuke Hamaguchi, Nuri Bilge Ceylan, Ilker Çatak, Monia Chokri & Lkhagvadulam Purev-Ochir Selected

Last year the Contemporary World Cinema had plenty of Cannes Film Festival gems in Aftersun, Falcon Lake, R.M.N. and The Worst Ones. This year's...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...

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