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Return to Dust | Review

The Good Earth: Ruijun Crafts Poignant Portrait of Transformative Love Director Li Ruijun returns to familiar themes in his sixth feature, Return to Dust, a...

2022 Cannes Film Festival: Eight Possible 11th Hour Film Options

Critics' Week made their line-up public yesterday. Directors' Fortnight topper Paolo Moretti mentioned that there is one title from Asia that they are still...

Top 100 Most Anticipated Foreign Films of 2022: #48. Emily Atef’s Plus que jamais

Plus que jamais (More Than Ever) Having worked on several television projects since competing for the Golden Bear at the Berlin International Film Festival with...

Top 150 Most Anticipated Foreign Films of 2020: #84. Gli Indifferenti – Leonardo Guerra Seràgnoli

Gli Indifferenti It’s been well over a decade since a filmmaker has attempted an new adaptation of Italian author Alberto Moravia, whose novels provided the...

Bronson Gets a Blast from the Past in Young’s ‘Cold Sweat’ (1970) | Blu-ray Review

Terence Young will forever be remembered amongst the pantheon of James Bond directors, having helmed Dr. No (1962), From Russia with Love (1963) and...

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Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...

Interview: Sandra Wollner – Everytime | 2026 Cannes Film Festival

One of the discoveries of this year's Cannes Film...

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