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What’s Up Doc?: Wiseman Rises to New “Heights” & Rivers Shooting “The Two Eyes Are Not Brothers” in Morocco

It's been a surprisingly interesting month of moving and shaking in terms of doc development. Just a month after making his first public funding...

Sundance ’15: Me and Earl and the Dying Girl Find Friends at Sundance, James White Receives Audience Embrace

Following in the footsteps of Fruitvale Station and Whiplash before it, the most talked about title in Alfonso Gomez-Rejon's Me and Earl and the...

Docu 15: Academy Awards shortlist is challenged

In recent years I've often criticized the Academy Awards for not having the foresight and fortitude to include docu films that have not only...

Exclusive Clip: IFC Films’ Deep Water

If “from the producers of Touching the Void” tag line doesn’t do enough to convey what kind of doc this might be turn out to be – then the film’s title Deep Water surely reveals the kind of zone this saga goes.

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Gentle Monster | 2026 Cannes Film Festival Review

The Children’s Hour: Kreutzer Poses Provocative Dilemmas The complex trappings...

All of a Sudden | 2026 Cannes Film Festival Review

Of Human Bondage: Hamaguchi Highlights Humanity in Quiet Drama In...

2026 Cannes Critics’ Panel: Day 3 – Ryusuke Hamaguchi’s All of a Sudden

The second Japanese filmmaker to premiere in the competition...

Parallel Tales (Histoires parallèles) | 2026 Cannes Film Festival Review

The Double Life of the Voyeurist: Farhadi Fails with...

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