Search results for: Luis Ortega

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Kill the Jockey | Review

They Kill Horse Riders, Don’t They?: Ortega Puzzles with Deadpan Metaphors Nothing is what it appears to be in Argentinean Luis Ortega’s latest film Kill...

2024 Marrakech Intl. Film Fest: Neo Sora, Murat Fıratoğlu, Damian Kocur & Mo Harawe in Comp

The Marrakech International Film Festival have announced its complete line-up and in the official competition (first and second feature films) film titles we find...

2025 Oscars Best International Film Race: Frontrunners Jacques Audiard, Walter Salles & Maura Delpero Added to Mix

Recent submissions for Best International Feature Film at the 97th Academy Awards are quickly piling up. Jordan has entered My Sweet Land (Sheffield DocFest),...

2024 TIFF: Kulumbegashvili, Zilbalodis, Lojkine, Soderbergh, Rankin & Sofia Bohdanowicz in Centrepiece Programme

It's year two for the Toronto Intl. Film Festival's Centrepiece programme - the place where we find films from the film festival circuit as...

2024 Venice: Corbet, Guadagnino, Haugerud, Kulumbegashvili, Salles, Tsangari & Yeo Siew Hua In Golden Lion Competition

21 films were selected for the 2024 Venice Film Festival competition and in the pack we find some surprises and several shoe-ins for the...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...

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