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Top 100 Most Anticipated Foreign Films of 2017: #27. Michael Roskam’s The Racer and the Jailbird

The Racer and the Jailbird Director: Michael R. Roskam Writer: Thomas Bidegain, Noe Debre, Michael R. Roskam Breaking out in 2011 in the Panorama section at the...

L’amour Ouf (Beating Hearts) | 2024 Cannes Film Festival Review

Thief of Hearts: Lellouche’s Sprawling Romance Has Arrhythmia A common occurrence for actors moonlighting as directors is not knowing how to hone a focus, crafting...

Oppenheimer | Review

Bombs Away: How Christopher Nolan Stopped Worrying and Love the Bomb For his highly anticipated twelfth feature, Oppenheimer, Christopher Nolan returns to the annals of...

Tom Medina | 2021 Cannes Film Festival Review

The Man Without a Country: Gatlif Explores the Tribulations of Redemption in Oblique Character Study French-Algerian director Tony Gatlif remains something of a European anomaly...

Cruella [Video Review]

Cruella Intentions: Gillespie Recuperates Another Villainess in Perky Origin Story Those familiar with a particular period of pseudo-morbid live-action Disney productions from the 1970s and...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...

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