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Catherine Frot Toplines, Claire Mathon Behind the Line in Alain Guiraudie’s “Miséricorde”

Just weeks before Alain Guiraudie is set to begin production on his seventh feature film, we learn (via the lesinrocks folks) that the cast of...

The Conversation: Bringing Up Berlin – Predictions for the 2020 Berlinale

Berlin becomes a septuagenarian in 2020. The significant European springboard will also receive a new facelift in the early dawn of the new decade,...

Through the Looking Glass: The Top 100 Most Anticipated Foreign Films of 2020 – Picks #100 to #11

While we look forward to a plentiful 2019 as far as foreign cinema is concerned (of which we highlighted #300-151 and our countdown #150-1 to anticipate...

The Conversation – Cannes Predictions I: North & South America

As we near the announcement of the 2018 Cannes Film Festival’s program next month (April 12th for Cannes, 16th for Critics' Week and possibly...

Through the Looking Glass – The Top 50 Foreign Films of 2019: Picks #10 to #6

#10. Pablo Aguero’s Witches’ Sabbath Argentinean director Pablo Aguero broke out with his third feature Eva Doesn’t Sleep in 2015, which featured Gael Garcia Bernal...

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Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...

Interview: Sandra Wollner – Everytime | 2026 Cannes Film Festival

One of the discoveries of this year's Cannes Film...

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