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Top 200 Most Anticipated Foreign Films of 2023: #19. Ramon & Silvan Zürcher’s Der Spatz im Kamin

Der Spatz im Kamin This latest micro indie film from Ramon and Silvan Zürcher titled Der Spatz im Kamin (which translates to The Sparrow in...

2024 European Film Awards: Kulumbegashvili, Delpero, Tsangari, Zürcher, Almodóvar & Mike Leigh in Second Wave

The first batch of titles were announced in August, and now with Locarno and Venice firming up the selection process, we now have our...

Fandor Purrs to the Sound of Zürcher’s “The Strange Little Cat”

Just prior to its one week stint over at the FilmLinc in August, TheWrap reports that Fandor have put The Strange Little Cat in...

The Sparrow in the Chimney | Review

There’s a Ghost in Me: Zurcher Explores the Necessity of Destruction Amidst all the existential dread in Franz Kafka’s body of work, silver linings abound,...

2024 Cannes Film Festival Predictions – Directors’ Fortnight

In their inaugural edition and first mandate, Artistic Director Julien Rejl oversaw a significant transformation of the Directors' Fortnight, not only altering its name...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...

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