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Top 150 Most Anticipated Foreign Films of 2020: #20. Untitled Hong Sang-soo Project

Untitled Hong Sang-soo Project Having spent 2019 embroiled in widely publicized divorce court proceedings, 2019 came and went without a new film project from South...

2018 PYIFF Dailies: Unhurried Hong Sang-Soo & Lee Chang-Dong | Day 5

I managed to miss the TIFF screening for Locarno premiered Hotel by the River (our Nicholas Bell has been on a steady pace of covering...

Tuesday Blus: In Yet Another Country with Hong Sang-soo

Kicking off one of South Korean auteur Hong Sang-soo’s most prolific years to date, his masterful On the Beach at Night Alone premiered in...

2017 Cannes Critics’ Panel Day 9: Hong Sang-soo’s The Day After Contains Color

I've been running behind with our grid, now in the clear and past the half way mark here is the latest updates from the...

Top 100 Most Anticipated Foreign Films of 2017: #25. Hong Sang-soo’s Claire’s Camera

Claire's Camera Director: Hong Sangsoo Writer: Hong Sangsoo Usually there's little news about a new Hong Sangsoo title until it shows up in a film festival program....

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

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