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What Maisie Knew | Blu-ray Review

In this contemporary rendering from the executive producers of The Kids Are All Right, the brilliantly written characters of Henry James are relocated to...

Key Players in the 2012 Cannes Film Market: Fortissimo Films

Michael J. Werner's Fortissimo Films was surprisingly almost shut out from showing in any of the sections at Cannes (they're repping the Un Certain...

2024 TIFF: 10 Key Take-Aways From Gala & Special Presentations Announcement

The 49th edition of the Toronto International Film Festival has unveiled its Gala and Special Presentations programs and now have have confirmations not only...

2022 Deauville Film Festival: War Pony, Aftersun & Emily the Criminal in Competition

With only a trio of films from this year's Sundance Dramatic Comp selected, this year's Deauville Film Festival has lassoed American indie films from...

TIFF Books World Preems for Song for Marion, Greetings from Tim Buckley, Yellow; Adds PTA, Korine, De Palma from Venice

TIFF announced their last batch of titles for their primo Gala and Special Presentation events and it comes as no surprise that we've got...

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Fuori | 2025 Cannes Film Festival Review

Hoosegow Girls: Martone Pays Delicate Tribute to Goliarda Sapienza ...

It Was Just an Accident | 2025 Cannes Film Festival Review

Phantom Limb: Panahi Treads Ripples of Retribution Jafar Panahi continues...

2025 Cannes Critics’ Panel: Day 8 – Mario Martone’s Fuori

In an even split, and in two different waves,...

2025 Cannes Critics’ Panel: Day 8 – Jafar Panahi’s ‘It Was Just an Accident’

Jafar Panahi might be more synonymous with Berlin say...

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