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2022 Tribeca Film Festival: Robert Machoian, Andrew Dosunmu & Andrew Bujalski In Line-Up

World premieres from American indie filmmakers Robert Machoian, Andrew Dosunmu and Andrew Bujalski are just three filmmakers in the 2022 Tribeca Film Festival's massive...

Film Noir: The Dark Side of Cinema – Volume IV | Blu-ray Review

Kino Lorber presents its fourth volume of forgotten or obscured film noir remnants with a trio of three titles from noted directors. With this...

2020 Sundance Film Festival: Janicza Bravo’s Zola, Josephine Decker’s Shirley & Eliza Hittman’s Never Rarely Sometimes Always in U.S. Dramatic Comp

Among the sixteen narrative feature films announced today all vying for Grand Jury Prize Award we have highly anticipated items from Janicza Bravo (Zola),...

Criterion Collection: To Sleep with Anger | Blu-Ray Review

Interlopers have long been meddlesome disruptors in cinema and literature. From those whose presence is expected to those who are unpleasant surprises, their catalyzing...

Top 3 Critics’ Picks in Theaters this December: Foxtrot, I, Tonya & Happy End

IONCINEMA.com’s Top 3 Critics’ Picks offers a curated approach to the usual quandary: what would you recommend I see in theaters this month? Three...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...

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