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Criterion Collection: The Flavor of Green Tea Over Rice (1952) | Blu-ray Review

For those accustomed to the bittersweet greatest hits of Japanese auteur Yasujirô Ozu’s later period familial dramas, the lesser known 1952 social satire The...

Top 150 Most Anticipated Foreign Films of 2019: #14. I Was At Home, But (Ich war zuhause, aber) – Angela Schanelec

I Was At Home, But (Ich war zuhause, aber) German art-house auteur Angela Schanelec will be set to unveil her ninth feature, the intriguingly titled,...

Cannes Classics 2018: Mark Cousins Celebrates Welles & Margarethe von Trotta Toasts Ingmar Bergman

Orson Welles will indeed be feted in Cannes this year with Mark Cousins dropping by the Croisette with The Eyes of Orson Welles and German helmer Margarethe...

Columbus | Review

Floating Weeds: Kogonada Looks at the Shape of Things in Masterful Debut Kogonada, who may be familiar to most cineastes thanks to his video essays...

Criterion Collection: Good Morning | Blu-ray Review

Criterion re-releases one of its early additions to the collection for the first time on Blu-ray, Yasujiro Ozu’s poignant late period comedy, Good Morning...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

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