Search results for: Yonfan

Michael J. Werner's Fortissimo Films was surprisingly almost shut out from showing in any of the sections at Cannes (they're repping the Un Certain...

For the Sales Agent stationed in the Netherlands, 2011 could be considered an off year with only two titles (Leila Kilani's Sur La Planche and Corman's World gets some replay value) in Cannes. Put they have a solid selection of Asian titles in the pipeline and two Brit titles in Kevin MacDonald's Marley and Michel Winterbottom's The Promised Land which we look forward to with much anticipation.

Compared with last year, Fortissmo Films come packing with only a single title, but that doesn't mean their sales agent won't be spending pretty much the entire festival from their rented office balcony. They signed a fairly ambitious deal with Fox - first time I've heard of a major studio outputting their titles to a films sales company of this nature and they've got one receiving a world preem at the festival in Sergei Loznitsa's My Joy.

Korea’s Mother won the top honor at the 4th Asian Film Awards, picking up Best Picture, while Chinese and Hong Kong films sweeped the other major award categories. After the grand opening of HKIFF on Sunday night, the ceremony has been held on the following day, adding an extra kick to the film festival. Bong Joon-ho’s murder mystery predictably won in a category that has previously been dominated by Korean films.

If you asked me what films I'd like to see in the final 5 tally, I would love to see the Academy embrace non-mainstream items such as the Romanian pic from Corneliu Porumboiu (Police, Adjective) and Bong Joon-ho's Mother (South Korea)...