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Director’s Fortnight: Savage Grace

I’m not sure if he is trying to replicate the Malick-way to go about a career, but his last (and only) feature was Swoon back in 91’. I wouldn’t be surprised if Christine Vachon’s Killer Films packs enough space for extra luggage. They’ll be bringing I’m not There, and perhaps Tom Kalin’s long-awaited sophomore film Savage Grace. If I were a programmer I’d be including it somewhere in the festival – especially in some of those sidebar menus. Plus it is always a plus to feature titles among your festival to create a market buzz: A-list actor + book adaptation = sought after title.

Based on the Pulitzer-prize winning book, this tells the incredible true story of Barbara Daly, who married above her class to Brooks Baekeland (
Julianne Moore), the dashing heir to the Bakelite plastics fortune. Beautiful, red-headed, charismatic, Barbara is still not a match for her well-born husband. The birth of the couple’s only child, Tony, rocks the uneasy balance in this marriage of extremes. Tony is a failure in his father’s eyes. As he matures and becomes increasingly close to his lonely mother, the seeds for a tragedy of spectacular decadence are sown. Spanning 1946 to 1972, the film unfolds in six acts. The Baekelands’ pursuit of social distinction and the glittering « good life » propels them across the globe. We follow their heady rise and tragic fall against the backdrop of locations including New York, Paris, Cadaques, Mallorca and London. While a period tragedy, the story is embued with contemporary significance, as well as humour, light and life.

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