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Review: Arirang
“Kim Ki-duk, one of South Korea’s premiere – and most prolific – arthouse filmmakers for the last two decades, has, with his new film Arirang, assembled a diary that helps to explain why we haven’t seen any new projects from him since 2008’s Dream. Turning the camera on himself for 100 insufferable minutes, this is the kind of narcissistic woe-is-me claptrap that gives the Video Diary genre an unnecessarily bad name…”
Arirang
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“Kim Ki-duk, one of South Korea’s premiere – and most prolific – arthouse filmmakers for the last two decades, has, with his new film Arirang, assembled a diary that helps to explain why we haven’t seen any new projects from him since 2008’s Dream. Turning the camera on himself for 100 insufferable minutes, this is the kind of narcissistic woe-is-me claptrap that gives the Video Diary genre an unnecessarily bad name…”