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Review: Silent Souls
“In Russian filmmaker Aleksei Fedorchenko’s Silent Souls the camera orbits around and points our glances at areas of interest. The color is as expressive of the themes and story as the action is—as many shades of grey in here as Michael Mann had shades of black in Collateral.”
Silent Souls
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“In Russian filmmaker Aleksei Fedorchenko’s Silent Souls the camera orbits around and points our glances at areas of interest. The color is as expressive of the themes and story as the action is—as many shades of grey in here as Michael Mann had shades of black in Collateral.”