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Top 150 Most Anticipated Foreign Films of 2019: #14. I Was At Home, But (Ich war zuhause, aber) – Angela Schanelec

I Was At Home, But (Ich war zuhause, aber) German art-house auteur Angela Schanelec will be set to unveil her ninth feature, the intriguingly titled,...

Angelo | 2018 Toronto Intl. Film Festival Review

The Moor the Merrier: Schleinzer Returns with Incendiary Portrait of Indentured Servitude Austrian director Markus Schleinzer returns with his long-awaited sophomore film Angelo, a follow-up...

Live from Cannes: 2018 Cannes Critics’ Panel – Meet the Jury!

Celebrating our seventh year, for the 71st edition of Cannes, we decided to switch things up for our Cannes Critics' Panel. First, we expanded...

The Conversation: Producer Jean Labadie

Jean Labadie is a name which perhaps remains a tad obscured despite his formidable influence on the French film industry. In 1986, Labadie founded...

Interview: Andrey Zvyagintsev – Loveless

A master of complex family dramas, with Andrey Zvyagintsev's latest we are witness to abandonment and neglect via an intense investigation of the family torn apart...

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It Was Just an Accident | 2025 Cannes Film Festival Review

Phantom Limb: Panahi Treads Ripples of Retribution Jafar Panahi continues...

2025 Cannes Critics’ Panel: Day 8 – Mario Martone’s Fuori

In an even split, and in two different waves,...

2025 Cannes Critics’ Panel: Day 8 – Jafar Panahi’s ‘It Was Just an Accident’

Jafar Panahi might be more synonymous with Berlin say...

Aisha Can’t Fly Away | 2025 Cannes Film Festival Review

Buliana Simon Shines In Gritty Immigrant Story That Struggles...

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