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Key Players in the Cannes Market: Celluloid Dreams

The French sales/production company is supplying this year's Cannes fest with a trio of titles, but you might find me doing cartwheels more for a project that hasn't even began lensing in Marjane Satrapi's Waiting for Azrael.

Predictions 2010 Sundance Film Festival: Araki, Soderbergh, Winterbottom

I remember during my visit at the Cannes' 60th edition thinking to myself how Cannes is a "boys club" in relation to the count them on one hand number of female filmmakers that were invited to participate on the unique short film collection celebrating the festival. Males tend to outnumber female filmmakers in general, but at Sundance you sometimes get the sense that its an even playing field.

IndieWIRE Critic’s Poll: What are A Serious Man’s Oscar Chances?

Have Joel and Ethan Coen followed up No Country for Old Men with another Oscar winner? A clear favorite (I've got my hand up) among the film critics and bloggers polled by IndieWIRE, A Serious Man might have a big and bright future ahead of it and as Eugene points out, "the Coens latest took top honors as Toronto’s best narrative film, finding a place on nearly every single ballot.

TIFF 2009: The Road, Mother and Child and My Son, My Son, What Have Ye Done and maybe, The Illusionist?

World preems (Mother and Child, L’Affaire Farewell, Love and Other Impossible Pursuits, I, Don Giovanni), Venice titles (The Road, A Single Man, The Men Who Stare at Goats, Baaria) and a Telluride pic in Werner Herzog's My Son, My Son, What Have Ye Done are part of the Gala and Special Presentations and among the last batch of titles announced for the 2009 edition of the Toronto Film Festival.

TIFF invites Egoyan’s Chloe, Vallée’s Young Victoria and Dolan’s I Killed My Mother to the Mix

The Toronto FIlm Festival have announced everything Canadian (or in some cases co-produced with Canada) with the world premiere of Atom Egoyan's Chloe.

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