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Top 150 Most Anticipated Foreign Films of 2020: #90. Cuties – Maïmouna Doucouré

Cuties Winner of the Global Filmmaking Award at the Sundance Film Festival in 2017 for the screenplay of her first feature Cuties (Mignonnes), Maïmouna Doucouré...

Top 150 Most Anticipated Foreign Films of 2019: #12. Ahmed – Jean-Pierre & Luc Dardenne

Ahmed The Dardenne Bros. turn their socially minded lens to religious extremism with their eleventh narrative feature, Ahmed. As usual, the Dardennes are collaborating with...

Top 150 Most Anticipated Foreign Films of 2019: #38. Farewell to the Night (L’Adieu a la nuit) – André Téchiné

Farewell to the Night (L’Adieu a la nuit) French auteur André Téchiné reunites with Catherine Deneuve for the eighth time with Farewell to the Night...

Top 150 Most Anticipated Foreign Films of 2019: #92. Mignonnes – Maïmouna Doucouré

Mignonnes French director Maïmouna Doucouré won a Global Filmmaking Award at the Sundance Film Festival in 2017 for the screenplay of her first feature Mignonnes,...

Top 100 Most Anticipated Foreign Films of 2017: #58. Ziad Doueiri’s The Insult

The Insult Director: Ziad Doueiri Writer: Joelle Touma After spending most of the 90s as an assistant cameraman on Quentin Tarantino films, Ziad Doueiri broke out on...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...

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