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The Conversation: One Never Cannes Tell – The 2016 Edition

Tis the season for fevered wish lists and constantly fluctuating prognostications concerning the soon to be revealed 2016 program at the Cannes Film Festival....

Embrace of the Serpent | Review

Hearts of Darkness: Guerra’s Exceptional Exploration of Ruinous Colonialization Colombian director Ciro Guerra charts an enigmatic narrative of parallel odysseys through the Amazon with his...

Top 100 Most Anticipated Foreign Films of 2016: #14. Maren Ade’s Toni Erdmann

Toni Erdmann Director: Maren Ade Writer: Maren Ade Though many be unfamiliar with her work, which is a pity since both her previous films are available in...

Arabian Nights Trilogy | Review

Tales of a Tale of Tales: Gomes's Three-Part Epic Is A Monument To The Plight Of Portugal's Working Class There may be more traditionally successful...

The Conversation: Finding Foreigners

Though there are many issues regarding the problematic process in deciding the roster of nominees for the annual onslaught known as the Academy Awards,...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...

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