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The Color of Lies (1999) | Review

The Hole Truth: Chabrol Explores What Lies Beneath the Chilly Idyll in Brittany The continually clever and constantly rueful Claude Chabrol ended his stretch of...

Carnage Park | Review

Carnage Knowledge: Keating’s Halfhearted Shot at Grindhouse not a Fine Vintage For his fourth feature, indie genre director Mickey Keating attempts a vintage crime/horror mash-up...

Criterion Collection: The Kennedy Films of Robert Drew & Associates | Blu-ray Review

"It's not an exaggeration to say that before Primary, documentary as we know it today - the art of candid observation - didn't exist. Not...

Haynes, HHH, George Miller, Sean Baker & Bruno Dumont Lead the 2016 ICS Award Noms

The more "international" body of tastemaker critics have anointed Todd Haynes' Carol, Hou Hsaio-Hsien’s The Assassin, George Miller's Mad Max, Sean Baker's Tangerine and...

Sundance ’16: Felix van Groeningen, Rebecca Daly & Ana Katz Load Up World Dramatic Comp

In last year's section which included Ariel Kleiman's Partisan and Anne Sewitsky's Homesick, it was John Maclean's debut Slow West claimed the World Cinema...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...

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