All posts tagged "Luc Dardenne"
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Reviews
Young Ahmed | Review
February 21, 2020Stabbing Backwards: Dardennes “Beet” Misguided Youth into Submission Up until now, even the most disenfranchised personage...
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Film Festivals
2019 Cannes Critics Panel: Day 8 – Dardenne Bros.’ Young Ahmed
May 21, 2019Palme d’Or winners for 1999’s Rosetta (review) and L’Enfant (2005), Jean-Pierre and Luc Dardenne have attempted to...
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Film Festivals
2019 Cannes Film Festival: Mati Diop, Jessica Hausner & Céline Sciamma In Competition
April 18, 2019Expect the unexpected. A mix of new faces and veteran filmmakers will make up the 72nd edition...
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Annual Top Films Lists
Top 150 Most Anticipated Foreign Films of 2019: #12. Ahmed – Jean-Pierre & Luc Dardenne
January 8, 2019Ahmed The Dardenne Bros. turn their socially minded lens to religious extremism with their eleventh narrative...
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Annual Top Films Lists
Top 150 Most Anticipated Foreign Films of 2019: #68. Dernier amour – Benoît Jacquot
January 4, 2019Dernier amour French director Benoît Jacquot returns to period filmmaking with his 25th feature, Dernier amour (Casanova)....
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Disc Reviews
Criterion Collection: Beyond the Hills | Blu-ray Review
June 5, 2018For his third film, and his follow-up to his 2007 Palme d’Or winner 4 Months, 3...
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Disc Reviews
Tuesday Blus: Arturo Ripstein’s Time to Die, John Trengove’s The Wound, Etc.
December 12, 2017This week’s edition of Tuesday Blus includes the following titles: The Wound (2017) – Kino Lorber...
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Film Festivals
Maren Ade’s Toni Erdmann, Aquarius, Elle & Paterson Top our 2016 Cannes Critics’ Panel
May 23, 2016Yesterday’s George Miller led jury pronounced Ken Loach’s I, Daniel Blake as the best from the...
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Reviews
The Unknown Girl | 2016 Cannes Film Festival Review
May 19, 2016The Guilt Trip: The Dardennes’ Add a Touch of Genre to Collective Guilt For better or...
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Film Festivals
2016 Cannes Critics’ Panel Day 8: Dardennes Get Clean Bill of Health for “The Unknown Girl”
May 18, 2016Padding their already impressive filmography as filmmakers, the Dardennes are becoming a force in auteur-driven films...