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Drag Me to Hell and Herzog’s Bad Lieutenant Pegged for Cannes

Besides finding out that Michael Haneke’s next will be presented in b&w, Variety’s article of the titles that we should see announced in one week’s time is a basic re-dotting of the i’s and recrossing of the t’s. The only speculation worth mentioning comes in the shape of the special screening and/or midnight slot status which may include Werner Herzog’s “Bad Lieutenant: Port of Call New Orleans” and Sam Raimi’s “Drag Me to Hell”.

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Besides finding out that Michael Haneke‘s next will be presented in b&w, Variety’s article of the titles that we should see announced in one week’s time is a basic re-dotting of the i’s and recrossing of the t’s. The only speculation worth mentioning comes in the shape of the special screening and/or midnight slot status which may include Werner Herzog‘s Bad Lieutenant: Port of Call New Orleans and Sam Raimi‘s Drag Me to Hell. This would mean that Universal might not use a Cannes op to present Bruno or Public Enemies. Here is a list of titles mentioned in Variety’s update.

A Prophet – Jacques Audiard
Air Doll – Hirokazu Kore-eda
Antichrist – Lars von Trier
The Army of Crime – Robert Guediguian
Bright Star – Jane Campion
Broken Embraces – Pedro Almodovar
City of Life and Death – Lu Chuan
Face – Tsai Ming-liang
Fish Tank – Andrea Arnold
Hadewijch – Bruno Dumont
Les Herbes folles – Alain Resnais
The Imaginarium of Doctor Parnassus – Terry Gilliam
In the Beginning – Xavier Giannoli
Inglourious Basterds – Quentin Tarantino
Leaving – Catherine Corsini
Looking for Eric – Ken Loach
Mother – Bong Joon-ho
Mr. Nobody – Jaco von Dormael
Spring Fever – Lou Ye
Taking Woodstock – Ang Lee
Tetro – Francis Ford Coppola
Thirst – Park Chan-wook
The Time That Remains – Elia Suleiman
*Up – Pete Docter (Opening Film)
Vengeance – Johnnie To
Vincere – Marco Bellocchio
The White Ribbon – Michael Haneke

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