Drag Me to Hell and Herzog’s Bad Lieutenant Pegged for Cannes

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Besides finding out that Michael Haneke‘s next will be presented in b&w, Variety’s article of the titles that we should see announced in one week’s time is a basic re-dotting of the i’s and recrossing of the t’s. The only speculation worth mentioning comes in the shape of the special screening and/or midnight slot status which may include Werner Herzog‘s Bad Lieutenant: Port of Call New Orleans and Sam Raimi‘s Drag Me to Hell. This would mean that Universal might not use a Cannes op to present Bruno or Public Enemies. Here is a list of titles mentioned in Variety’s update.

A Prophet – Jacques Audiard
Air Doll – Hirokazu Kore-eda
Antichrist – Lars von Trier
The Army of Crime – Robert Guediguian
Bright Star – Jane Campion
Broken Embraces – Pedro Almodovar
City of Life and Death – Lu Chuan
Face – Tsai Ming-liang
Fish Tank – Andrea Arnold
Hadewijch – Bruno Dumont
Les Herbes folles – Alain Resnais
The Imaginarium of Doctor Parnassus – Terry Gilliam
In the Beginning – Xavier Giannoli
Inglourious Basterds – Quentin Tarantino
Leaving – Catherine Corsini
Looking for Eric – Ken Loach
Mother – Bong Joon-ho
Mr. Nobody – Jaco von Dormael
Spring Fever – Lou Ye
Taking Woodstock – Ang Lee
Tetro – Francis Ford Coppola
Thirst – Park Chan-wook
The Time That Remains – Elia Suleiman
*Up – Pete Docter (Opening Film)
Vengeance – Johnnie To
Vincere – Marco Bellocchio
The White Ribbon – Michael Haneke

Eric Lavallée
Eric Lavalléehttps://www.ericlavallee.com
Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society) and AQCC (Association québécoise des critiques de cinéma).

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