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Venice Film Festival 2023: All of IONCINEMA.com’s Movie Reviews

We came, we saw, we conquered. Our Nicholas Bell was in review overdrive assessing the entire competition and much more. We'll still have film...

Without Air | 2023 Toronto Intl. Film Festival Review

A Teacher Fights For Her Job In Katalin Moldovai’s Simmering Indictment of Hungary’s Culture Wars Agnieszka Holland’s largely forgotten (and quite awful) 1995 biopic Total...

2023 TIFF: Ryusuke Hamaguchi, Nuri Bilge Ceylan, Ilker Çatak, Monia Chokri & Lkhagvadulam Purev-Ochir Selected

Last year the Contemporary World Cinema had plenty of Cannes Film Festival gems in Aftersun, Falcon Lake, R.M.N. and The Worst Ones. This year's...

2023 NYFF: Haigh, Hamaguchi, Lanthimos, Triet, Glazer and Annie Baker in Main Slate

We were scratching our heads on where films such as Andrew Haigh's (retitled) All of Us Strangers and the under-the-radar A24 film by Annie...

Rogue Agent | Review

The Spy Who Loved My Money: Patterson & Lawn Get the Grifter in Seductive Drama Scribes Declan Lawn and Adam Patterson present a smoothly administered...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...

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