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Werc Werk Works 'Howl' for Experimental Ginsberg Biopic

Posted by Eric Lavallee on Feb 19, 2009
Source: IndieWIRE.com

New kids on the block Werc Werk Works are backing some “out there” filmmakers in Todd Solondz (Forgiveness) and Bela Tarr's rumoured last feature film (The Turin Horse), and now they are backing an “out there” project in Rob Esptein (The Times of Harvey Milk) and Jeffrey Friedman’s Howl. The project that will have benefited from Sundance labs and IFP's No Borders International Co-Production Market before premiering sometime next year - probably during the 2010 Sundance Film Festival. Photography begins March 16th in NYC. This will be Esptein's and Friedman's fiction film debut. 


Based on Allen Ginsberg's beatnik book of poetry Howl, this focuses on the obscenity trial launched to censor Ginsberg's groundbreaking book-length poem. Among the real-life characters featured in the film are prosecuting attorney Ralph McIntosh (David Strathairn), Judge Clayton Horn (Alan Alda), prosecution witness Professor David Kirk (Jeff Daniels), radio personality and prosecution witness Gail Potter (M-L Parker) and literary critic and defence witness Luther Nichols (Paul Rudd). James Franco plays the title role.

Some scenes in the film will be animated -- adding fantasy elements to the beatnik poems, and this combined with courtroom scenes immediately makes me cringe that we might see something like the doc Chicago 10 --- but I imagine since it focuses on Ginsberg's earlier years (everything before 57') and not necessarily the trial, that the courtroom sequences will only be a reference point for the narrative.

Elizabeth Redleaf and Christine Walker produce. Gus Van Sant serves as Executive Producer with Redleaf.



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Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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