00 - 00 : 00 : 00

Banner

Film Listings

Wed May 30, 2012

Fri Jun 01, 2012

Fri Jun 08, 2012

Wed Jun 13, 2012

Fri Jun 15, 2012

Wed Jun 20, 2012

Fri Jun 22, 2012

Wed Jun 27, 2012

Fri Jun 29, 2012

Tue Jul 03, 2012

Fri Jul 06, 2012

Wed Jul 11, 2012

Fri Jul 13, 2012

Fri Jul 20, 2012

Wed Jul 25, 2012

Fri Jul 27, 2012

Fri Aug 03, 2012

Fri Aug 10, 2012

Wed Aug 15, 2012

Fri Aug 17, 2012

Wed Aug 22, 2012

Fri Aug 24, 2012

Fri Aug 31, 2012

Fri Sep 07, 2012

Fri Sep 14, 2012

Fri Sep 21, 2012

Fri Sep 28, 2012

Fri Oct 05, 2012

Fri Oct 12, 2012

Fri Oct 19, 2012

Fri Oct 26, 2012

Fri Nov 02, 2012

Fri Nov 09, 2012

Fri Nov 16, 2012

Wed Nov 21, 2012

Fri Dec 14, 2012

Sat Dec 15, 2012

Wed Dec 19, 2012

Fri Dec 21, 2012

more listings



IFC Fills Slate Vacancy with Medem's 'Rome in Room'

Posted by Eric Lavallee on Nov 06, 2009
Source: Screen Daily

SD reports that IFC has acquired US rights to Julio Medem’s Room In Rome ahead of its eventual world premiere that would take place at the Berlin Film Festival of 2010. Having discovered some of Medem's earlier work in film school, I can say that I'm a fan of his work and a fan of Elena Anaya, a national treasure from Spain who appeared in Lucía y el sexo (Medem's most popular title in the U.S.). Anaya toplines this pic which would most likely receive a release date next summer. 

This is a remake of Chilean Matias Bize’s “En la cama” and sees two strangers (Anaya and Natasha Yarovenka) who meet and spend a passionate physical encounter in a hotel room. The original film was a man with woman encounter. Here's the long synopsis: Early summer. A hotel room in the heart of Rome. Two young women who have only just met travel together on an intimate, passionate physical journey that will mark their bodies and souls deeply. The story unfolds over twelve hours, through the night and into the early morning, before each woman departs, Alba to Spain, and Natasha to Russia. The room seems always to have been waiting for them. Its ancient walls exudes a magical atmosphere heavy with sensuality and ripe with endless erotic possibilities. As Alba and Natasha enter into the unknown, intense new feelings are awakened, and a natural understanding between them grows giving rise to comic as well as powerfully intimate moments, before the unexpected arrival of love pierces them. At first they hide, cautious, protecting themselves. Slowly they allow themselves to be borne away, each into the unknown terrain of the other, yet never abandoning the honest love felt for their respective partners - in Alba’s case, a mother of two, in Natasha's, the man she is due to marry in one week... Until at last both find themselves transfixed before a completely new truth, a shared abyss, a secret kept in a hotel room in Rome. A true freedom to do whatever they most fervently desire.



Comments

ADD A COMMENT

You must be logged in to add a comment
Banner

Reviews

Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


more reviews

Interviews

main feature right

Review: Wrong

"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


right column more interviews

Festivals

festival link more

Community Film Ratings

community link more