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Karlovy Vary 2010: Jeff Malmberg's Marwencol

Posted by Eithan Weitz on Jul 10, 2010
Source: IONCINEMA.com Festival Coverage

Producer and editor of mostly documentary films for the better part of the last decade, one could say Jeff Malmberg was primed up for his directing debut. A sensation at SXSW Film Fest, Malmberg's Marwencol visits Mark Hogancamp, a young American, who was attacked and brutally beaten about a decade ago. After recovering from a coma, Mark started building a miniature city as a form of therapy. This city, named Marwencol, is inhabited by small figures Mark creates out of dolls. He invented stories (most of them violent, taking place in WWII), and dramatizes them in his own city.

Malmberg seems to be so fascinated by the endless imagination of Hogancamp, that every other aspect of his life is pushed aside. Endless stories are shown on the screen through the figures in Marwencol, and there is almost no account of Hogancamp's physical or mental health in reality, which means the scale is tipped towards the make believe rather than the reality, which is a shame when you have a potentially moving story of a man using his imagination to recuperate from a terrible attack.



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Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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Review: Wrong

"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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