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Fall Season Rolling out the Doc Heavyweights: Alex Gibney, Errol Morris and Charles Ferguson

Posted by Eric Lavallee on Sep 06, 2010
Source: Various Sources

TIFF patrons are in for a treat. Not only are Toronto folk well served in April with Hot Docs, but Thom Powers has lassoed the who's who in doc film for this year's edition. Top three on my must see list include: Alex Gibney's Client 9: The Rise And Fall Of Eliot Spitzer, Errol Morris' Tabloid and Charles Ferguson's Inside Job. After presenting it as a film in progress at Tribeca, Gibney will preem Client 9: The Rise And Fall Of Eliot Spitzer and Magnolia Pictures will release the pic on November 5th.

Eliot Spitzer's meteoric rise turned into a precipitous fall when the New York Times revealed that Governor Spitzer - the paragon of rectitude - had been caught visiting high-priced call girls. As his powerful enemies gloated, his supporters questioned the timing of it all because as the Sheriff of Wall Street fell, so did the financial markets, in a cataclysm that threatened to unravel the global economy. With unique access to the escort world as well as friends, colleagues and enemies of the ex-Governor (many of whom have come forward for the first time) this film explores the hidden contours of hubris, sex, and power.

Tabloid Poster Errol Morris

Errol Morris' Tabloid appears be have been a hit in Telluride and with the SPC folks in attendance, there could be a deal in place before it hits Toronto - which could be a problem if they  This apparently hard to believe tale tells the story of a former Miss Wyoming whose quest for one true love led her across the globe and onto the pages of tabloid newspapers.

Inside Job Poster

I love the tagline "The film that cost over $20,000,000,000,000 to make" for Charles Ferguson's (No End in Sight) investigative film on the financial collapse. Inside Job, the Cannes preemed film that I failed to get into will show at TIFF before heading out to theaters (NY on October 8 and LA on October 15). The trailer promises plenty of juicy material, and also features the person of interest from Gibney's film.

So which one of these three are YOU most looking forward to see?



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Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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Review: Wrong

"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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