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2010's Top 10: Repeat Offenders in Martin Scorsese and Leonardo DiCaprio

Posted by Eric Lavallee on Jan 04, 2011
Source: IONCINEMA.com Feature

9. Martin Scorsese and Leonardo DiCaprio

We can bet that Martin Scorsese and Leonardo DiCaprio won't be renewing their vows every two years as they did with the stretch that sprouted Gangs of New York (2002), The Aviator (2004), The Departed (2006) and I figure the years in between projects will only increase. Technically meant to be released in 2009. Shutter Island turned out to be the divertissement pic that made the month of February a little less tedious and overall, it could be defined as an exercise in style and genre filmmaking closer to Scorsese being experimental with Bringing Out the Dead than a problem film such as Kundun. Dressed in 50's garb, the federal marshal role allowed DiCaprio to flex some of the paranoia muscles he used in Aviator, in many ways DiCaprio is delving into film history's battered and tragic heroes that we'd see in Welles and Hitch's films. DiCaprio looked the part and made "madness" chic. With so many A list directors wanting to borrow Scorsese's protege, I think the Scorsese-Dicaprio filmography will be stuck at four films until the "perfect project" is on the table.

 


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Reviews

Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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Review: Wrong

"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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