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Director Robin Wright Adds Foursome to 'The Archivist'

Posted by Eric Lavallee on Feb 28, 2011
Source: The Tracking Board

Sometime this summer the extremely busy Robin Wright (Ari Folman's The CongressThe Girl with the Dragon Tattoo, Moneyball, Rampart) will be moving behind the camera to make her directorial debut. In the first piece of news since The Archivist was announced late last year, Colin Firth is no longer attached but Wright has apparently managed to add her The Conspirator co-stars Kevin Kline and Tom Wilkinson along with, actresses Sally Hawkins and Anna Kendrick to what will be a robust fivesome of stars (this includes Wright in front of the camera as well).

Gist: Scripted by Ann Cherkis (writer behind the filmed in Montreal, direct-to-video The Secret), this is about an American archivist who desperately tries to win back a valuable account he lost to his ex-wife in the UK while attempting to get her back as well.

Worth Noting: Michael Stipe's Single Cell Pictures will produce the film - which would be a first in a long time: they've only produced: Velvet Goldmine, Being John Malkovich, Thirteen Conversations About One Thing and 2004's Saved!

Do We Care?: I'm citing Vera Farmiga's Higher Ground as a recent, formidable example of an actress moving behind the camera and delivering what is a confident directing debut. We wish the same for Wright.



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Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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