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Key Players in the 2011 Cannes Market: Memento Films Int.

Posted by Eric Lavallee on May 13, 2011
Source: -

With a flurry of titles (from herlmers Kawase, Lanners, Rebecca Daly in the multiple Cannes sections, the future (Venice, and TIFF prospects) look equally as fruitful for Memento Films Int. The French Sales Agent and Prod Co. have a stellar bunch in post production items such from So Yong Kim's and Pen-Ek Ratanaruang's next films (see Headshot pic above), but pre-production items with an eye towards next year's Cannes with Laurent Cantet's and Cate Shortland's next features. Here's the cool slate below.

FOXFIRE (FOXFIRE: CONFESSIONS D'UN GANG DE FILLES) by Laurent CANTET - Pre-Production
HANEZU (HANEZU NO TSUKI) by Naomi KAWASE - Completed
THE GIANTS (LES GEANTS) by Bouli LANNERS - Completed
BAD SEEDS (MAUVAISES HERBES) by Safy NEBBOU - Production
ELLES by Malgoska SZUMOWSKA - Post-Production
FOR ELLEN by So Yong KIM - Post-Production
HEADSHOT (FON TOK KUEN FAH) by Pen-Ek RATANARUANG - Post-Production
L'ENFANT D'EN HAUT by Ursula MEIER - Production
LES JEUNES GENS MÖDERNES (DES JEUNES GENS MÖDERNES 2.0) by Jérôme DE MISSOLZ - Completed
LORE by Cate SHORTLAND - Pre-Production
MAN WITHOUT A CELL PHONE by Sameh ZOABI - Completed
NADER & SIMIN: A SEPARATION (JODAEIYE NADER AZ SIMIN) by Asghar FARHADI - Completed
THE MONK (LE MOINE) by Dominik MOLL - Post-Production
THE OTHER SIDE OF SLEEP by Rebecca DALY - Completed
THE WOMAN IN THE FIFTH (LA FEMME DU VE) by Pawel PAWLIKOWSKI - Post-Production
TOP FLOOR LEFT WING (DERNIER ETAGE GAUCHE GAUCHE) by Angelo CIANCI - Completed



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Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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Review: Wrong

"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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